NEA ÒIR
Nea is a multidisciplinary artist with an extrasensory perception.
In order to convey and channel these otherworldly forms of energies through the vibrations of colors, codes, and lines, Nea creates bridges through her work between the unseen magic worlds she is able to touch and the 3D reality we are living in, so that others may experience them as well.
When it comes to mixed media or generative artworks, which are produced by programming and algorithms, Nea's art can be very symbolic and contain hidden codes that invite the observer to decipher the vibrations or unveil the invisible cryptic algorithms.
Nea identifies herself as a nonconformist and employs a variety of artistic techniques, including symbolism and surrealism.
Her current favourite subjects are *Seraphim, **Cherubs. -
Which are presented in Nea's mixed media collections "Seraph Ex Machina" and "Seraph Fashionistas", where Nea magnificently transformed classical appearances of angels by modernizing their looks and focusing on capturing the holy and powerful energies they emit.
Combining the alien warriors' energy, strength, and power with purity and innocence. While brilliantly fusing a variety of wholly unexpected concepts and elements including fashion, AI themes, binary codes, and matrix motifs.
Nea's favorite artworks are Seraphs with Down's syndrome. Yes, you got it right - With Down's Syndrome.
Only when she finished the paintings, Nea, unexpectedly for herself, discovered that they were actually 100% "Solar angels" with Down's Syndrome. Nea says "They are absolutely beautiful!"
The collection "Seraph Ex Humus" and "The Trinity" were mostly influenced by Greece's monasteries, churches, museums, and particularly its Byzantine art while she lived and studied there.
Nea's favorite artists and biggest inspiration are ✓Odilon Redon, ✓ Gustav Klimt, ✓ Gustave Moreau. -(Info Footnoted) - She deeply admires their audacity and protagonism, as they were true pioneers of artistic individualism and brave enough to share their nonconformist art with the world against all odds they were facing back then.
Piet Mondrian.
To be a channel that transfers the divine and marvelous and makes it part of 3D reality.
IMPORTANT DISCLAIMER:
In 1573, Paolo Veronese found himself having to defend his art "The last Supper" against the inquisition.
(!!!)
(The painting can be seen at the Gallerie dell'Accademia in Venice)
As an artist whose painting was banned in an ortodox country, and who is highly inspired by mythological, spiritual and religious subjects,
also in order to be able freely express her artistic visions of any religious topic,
without any intentions to offend anyone or
anyone's religious feelings, Nea wants to use the words of Paolo Veronese to defend her art and her right as
an artist,
and stand against any potential accusations, reproach, incriminations, inculpations that might come from modern
inquisition, which is still active in many countries.
Here are the words of Paolo Veronese to defend his art:
'We painters', he declared, - 'assume the same licence as poets and fools.' "
Nea, according to the words of Paolo, assumes the same licence as poets and fools.
- Would this count nowadays while it saved life of P.Veronese back then, when they would just burn people alive?
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Kindly do not browse through the pages of this website if you believe that certain kinds of content may be offensive to you. Viewing any content of the site is a conscious choice of the visitor.
▶︎ Gustave Moreau (1826 – 1898) was a French artistand an important figure in the Symbolist movement. Known for his erotic paintings of mythological and religious subjects.
▶︎ Gustav Klimt (1862 – 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism.
▶︎ Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.[2]
***A Cherub, plural Cherubim, in Jewish, Christian, and Islamic literature, a celestial winged being with human, animal, or birdlike characteristics who functions as a throne bearer of the Deity.